A murder on the Appian way rsr-5 Read online

  "Yes, but how?"

  I had to smile. He had learned his trade from me. Curiosity becomes a habit. Even when there's no money in it, a Finder can't help being curious, especially when there's murder involved. "We won't find out from this crowd," I said.

  "I suppose not."

  "Come on, then."

  He hesitated. "You'd think they'd send someone out to talk to the crowd. Surely someone will come out sooner or later…" He saw me shivering. "Let's go, then."

  "You don't have to leave."

  "I can't let you walk home alone, Papa. Not on a night like this."

  "Send the bodyguards with me, then."

  "I'm not fool enough to stay in this crowd alone."

  "We could split them up, two for you and two for me."

  "No. I don't want to take any chances. I'll walk you home. Then I'll come back if I still want to."

  We might have haggled over these logistics for a while longer, but at that moment Eco lifted his eyes to look at someone behind me. His bodyguards tensed.

  "I'm looking for a man called Gordianus," said a rumbling voice above my head. I turned to find my nose pressed against an extremely broad chest. Somewhere up above was a ruddy face topped by a fringe of red curls. The fellow's Latin was atrocious.

  "I'm Gordianus," I said.

  "Good. Come with me."

  "Come with you where?"

  He cocked his head. "Into the house, of course."

  "At whose invitation?" I asked, already knowing.

  "At the lady Clodia's command'

  She had seen me from her litter after all.

  II

  Even with the red-haired giant leading us, I was dubious of the prospect of pressing through the crowded gateway and across the forecourt. Instead, he started off in another direction. We followed him down the street, past the fringes of the crowd to the foot of a narrow stairway tucked into the hillside beyond the outermost ring of marble terraces. The stairway was flanked by fig trees whose dense branches formed a canopy above.

  "Are you sure this leads to the house?" said Eco suspiciously.

  "Just follow me," said the giant gruffly, pointing ahead to a distant lamp at the top of the stairs. Without a torch to guide us, the way was dark and the steps lost in shadow. We mounted them cautiously, lagging behind the giant, until we arrived at a narrow landing. The lamp was hung above a wooden door. Beside the door stood another gladiator, who ordered us to leave our escorts outside and to remove our weapons. Eco produced a dagger and handed it over to one of his bodyguards. When I protested that I carried nothing, the red-haired giant insisted on searching me. Finally satisfied, he opened the door and led us inside.

  We followed a long, dim hallway, descended a flight of steps, and at length emerged into a narrow room. We were in the foyer of the house, just inside the tall bronze doors, which were barred on the inside by a sturdy wooden beam. Through the doors I could hear the noise of the restless crowd from the courtyard beyond. "Wait here," the giant said, as he stepped through some curtains.

  The foyer was lit by a hanging lamp, its flames reflected in the polished marble walls and floor. I stepped closer to the shimmering red curtains, fascinated by them. "Do you know what these are, Eco?

  These must be the famous Attalic draperies. There's genuine gold thread in them. To see them by firelight, you'd think the fabric was woven of flames!"

  I should explain that the house of Publius Clodius, and its furnishings, had a brief but remarkable history. The original owner had been Marcus Scaurus, who began building the house six years before. That was the same year that Scaurus was elected aedile, and was thus obliged, at his own expense, to entertain the masses with theatrical productions during the autumn festivals. Following the age-old tradition, Scaurus constructed a temporary theatre on the Field of Mars outside the city walls. Two years later Pompey would build the first permanent theatre in Rome — Roman children would grow up thinking nothing of such Greek decadence in their midst — but Scaurus's theatre was built to stand for only a season.

  I have been to many cities and seen many remarkable buildings, but never the like of Scaurus's theatre. There were seats for 80,000 people. The enormous stage was three storeys high, supported by 360 marble columns. Between these columns and tucked in various niches throughout the building there were a total of 3,000 bronze statues. These outlandish numbers were talked about until everyone knew them by heart, and they were not exaggerations; in slack moments during the plays, gawkers would count the columns and statues out loud while the poor actors emoted to no avail, upstaged by the decor.

  The bottom storey of the stage was decorated with marble, the top storey with gilded wood, and the middle storey with astonishing constructions of coloured glass — not merely small windows but whole walls of glass, an extravagance that had never been seen before and will surely never be duplicated again. To decorate the stage there were enormous scenic backdrops painted by some of the finest artists in the world, framed by lavish Attalic draperies of red and orange cloth interwoven with gold thread, like the legendary golden robes of King Attalus of Asia; under the bright light of noon they seemed to be woven of sunlight itself.

  When the festivals were over and the theatre was taken down, Scaurus sold off some of the decorations and made lavish gifts of others. But much of the stuff he kept for himself, to decorate his new house on the Palatine. Marble veneers and columns were turned into terraces and porticos. The walls of coloured glass were transformed into skylights. Enormous crates full of statues and fabulous draperies and paintings were stacked up in the forecourt of the house and gradually taken inside. For his redesigned atrium, Scaurus decided to instal the largest columns from the theatre, made of black Lucullean marble, each eight times as tall as a man. The columns were so heavy, and hauling them so difficult, that a sewage contractor forced Scaurus to post a bond against possible damages to the city drains when the columns were transported across town to the Palatine.

  The house of Scaurus excited almost as much comment as his theatre. People who had gawked at the theatre came to gawk at the house. His more conservative (and less affluent) neighbours considered the place an affront to good taste, a monstrosity of waste and excess, a defamation of stern Roman virtue. Those who complained should have remembered the old Trojan axiom: no matter how appalling a situation, it can always get worse — as when word got out that Scaurus was moving and had sold the place to the rabble-rouser Clodius. Clodius, the high-born patrician who disowned his pedigree to become a plebeian; Clodius, the bane of the Best People; Clodius, the Master of the Mob.

  Clodius had paid almost fifteen million sesterces for the house and its furnishings. If the rumour was true — that Clodius was dead — then he had had little time to enjoy the place. He would never see the marble terraces bloom with roses in the spring.

  I poked my head through the Attalic draperies into the atrium beyond, where the ceiling abruptly shot up to the height of three storeys. "The Lucullean marble columns!" I whispered to Eco, stepping through the curtains and beckoning for him to follow, for here they were, soaring up in jet-black splendour to the ceiling forty feet above.

  In the centre of the atrium was a shallow pool decorated with shimmering mosaic tiles of blue-black and silver, picturing the night sky and the constellations. High above the pool a corresponding square was cut into the roof, but instead of being open to the sky, there appeared to be a vast pane of glass across the skylight, through which the stars wavered as if they were underwater. It was a dizzying conceit: the skylight above appeared to be a pool reflecting the stars at our feet.

  I took a slow walk around the perimeter of the atrium. Installed in niches in the walls were the wax masks of family ancestors. Publius Clodius Pulcher came from a very ancient, very noble line. One by one, the faces of his predecessors stared impassively back at me. Most had been captured in maturity or old age, but one could see they were in general a handsome lot. Pulcher — the name of the family branch — means
beautiful, after all;

  Eco tapped my shoulder. Our escort had returned. He gestured with a toss of his chin and we followed him more deeply into the house.

  As we walked down hallways I peered into the rooms on either side. Everywhere I saw reminders that we were in a house that had only recently been moved into and was still unsettled. Boxes and crates were stacked mazelike in some rooms, while other rooms were empty. In some places there was scaffolding and the smell of fresh plaster. Even the rooms which appeared finished seemed somehow tentative — furniture was set at odd angles, pictures were hung in odd spaces, statues were placed too close together.

  What had I expected to find inside the house? Women weeping, slaves running about in confusion, a sense of panic? Instead the house was quiet, with hardly a person in sight The vastness of the place made the quiet seem all the more acute and uncanny, like a deserted temple. Occasionally a slave crossed our path, deferentially stepping out of our way and keeping his face averted.

  When the body dies, a philosopher once told me, all the life within it contracts to a single point before expiring altogether. So it seemed inside the house of Clodius, that all the life had gathered in one place, for suddenly we rounded a corner and entered a room lit by many lamps and full of hushed voices. Nervous-looking men in togas paced fretfully about, conversing in groups, gesturing with their hands, shaking their heads, arguing in whispers. Slaves stood out of the way in corners, quiet but alert, awaiting instructions.

  We came to a closed door at the far side of the room. Nearby a hulking brute of a man sat with his chin in his hands, wearing a miserable expression. There was a bloodstained bandage on his head and a tourniquet around one arm. A handsome young man in an elegant tunic hovered over him, berating him and barely pausing to let the brute answer in mumbles. "I still can't understand how you could have deserted him like that. Why were there so few of you with him in the first place? What in Hades were they thinking when they took him to that tavern instead of back to his villa?"

  Our escort gently rapped on the door with the side of his foot; someone had taught him good manners. The young man and the wounded man looked up and peered suspiciously at Eco and me.

  The wounded man frowned. "Who in Hades — ?"

  The young man stared at us dully. "It must be that fellow my Aunt Clodia sent for."

  The door opened. A pair of feminine eyes peered out. Our escort cleared, his throat. "The one called Gordianus, and his son, Eco."

  The slave girl nodded and opened the door. Eco and I stepped inside. Our escort stayed behind as the girl shut the door.

  The room had the feeling of a sanctuary. Thick rugs covered the floor and tapestries covered the walls, muffling the quiet crackling of the single brazier that warmed the room and cast long shadows into the corners. Against one wall there was a long table, like an altar, with a few women clustered before it, their backs turned to us. The women were robed in black, their hair let loose to fall over their shoulders. They seemed not to notice our arrival. The slave girl went to one of them and touched her gently on the elbow. Clodia turned and looked at us from across the room.

  I had not seen her for almost four years, since the trial of Marcus Caelius. Clodia had retained my services to assist the prosecution; things had not gone as she planned, and her miscalculations had ended badly for her. Since then she had led a much quieter, more private existence, or so one heard, on the rare occasions when her name was mentioned. But I had not forgotten her. One never forgets a woman like Clodia.

  She walked slowly towards us, the hem of her black gown trailing behind her. Her perfume reached us a moment before she did, scenting the air with the essence of crocus and spikenard. I had always seen her with her hair pulled back and held in place by pins. Now she wore it down for grieving, giving a lustrous black frame to the striking angles of her cheekbones and the proud line of her nose. She was past forty now, but her skin was still like white rose petals. Her smooth cheeks and forehead seemed to glow by the flickering light of the brazier. Her eyes — those famous, glittering green eyes — were red from weeping, but her voice was steady.

  "Gordianus! I thought I glimpsed you in the crowd. This is your son?"

  "My elder son, Eco."

  She nodded, blinking back tears. "Come, sit with me." She led us to a corner and gestured for us to sit on one couch while she sat on another. She pressed one hand against her forehead and shut her eyes. She seemed on the verge of sobbing, but after a moment she breathed deeply and sat upright, folding her hands in her lap.

  The light from the brazier was interrupted by a shadow. One of the others had crossed the room to join us. She sat beside Clodia and reached for her hands.

  "My daughter, Metella," said Clodia, though I hardly needed to be told. The young woman was unmistakably her mother's child. Perhaps she would even become as beautiful as her mother, given time. A beauty like Clodia's was not something a woman could be born with. It consisted of more than what the eyes could see, of a mystery behind the flesh which accrues only with the passage of time.

  "I seem to remember that you have a daughter the same age," said Clodia quietly.

  "Diana," I said. "Seventeen."

  Clodia nodded. Metella suddenly began to weep. Her mother embraced her for a moment, then released her and sent her to rejoin the others. "She loved her uncle very much," Clodia said.

  "What happened?"

  Her voice was strained and colourless, as if any display of emotion would make it impossible for her to speak. "We don't know for certain. He was down south, at his villa past Bovillae. Something happened on the road. They say it was Milo, or Milo's men. A skirmish. Others were killed, not just Publius." There was a catch in her voice. She paused to compose herself "Someone passing by just happened to find his body in the road — there wasn't even anyone standing guard over him! Strangers brought him back to the city. His body arrived here just after sundown. Since then some of his bodyguards have come straggling in. The ones who survived. We're still trying to make sense of what happened."

  "I saw a man in bandages being questioned in the other room."

  "A bodyguard. The man has been with Publius for years. How could he have let this happen?"

  "And the young man questioning him?"

  "My nephew, I imagine. Our brother Appius's oldest boy. He came with me in the litter, along with Metella. He loved Publius like a second father." She shook her head. "Publius's own little boy was with him down at Bovillae. We don't know what's become of the child. We don't even know where he is!" This was suddenly too much for her. She began to weep. Eco looked away. It was a hard thing to watch.

  Her weeping subsided. "Clodia," I said quietly, "why did you send for me?"

  The question seemed to baffle her. She wrinkled her brow and blinked back tears. "I'm not sure. I saw you in the crowd, and so — " She shrugged. "I don't know, really. But something will have to be done. You know about that sort of thing, don't you? Inquiries. Investigations. How it's done. Publius knew how to go about that kind of thing, of course. But now Publius…"

  She drew a deep breath and slowly exhaled. Her tears had run dry. "I don't know why I called for you, really. To see an old, familiar face? We parted friends, didn't we?" She touched my arm and managed a wan smile. The effort produced only a small fraction of the charm of which I knew she was capable. The feebleness of the attempt made it all the more poignant. "Who knows what will happen now? The world has turned upside down. But something will have to be done to set things right. Publius's children are too young to see to it. It will fall to others in the family. We may need you. It may come to that, you see." She sighed wearily 'There's nothing to be done right now, except to seek what comfort we can. Metella needs me." She stood and looked bleakly towards the women across the room.

  The interview seemed to be at an end. I nodded to Eco. Together we rose from the couch.

  The slave girl came to show us out. Clodia walked away from us, then turned back.

  "Wa
it. You should see him. I want you to see what they did to him."

  She led us across the room, to the altarlike table where Metella stood along with two other women and a child. At our approach the oldest of the women turned and scowled at us. Her face was gaunt and haggard. Her hair was almost entirely grey. Unpinned, it hung to her waist. There were no tears in her eyes, only anger and resentment.

  "Who are these men?"

  "Friends of mine," said Clodia, her voice taking on an edge.

  "What man isn't?" The woman gave Clodia a withering look. "What are they doing here? They should wait in the outer room with the rest."

  "I asked them here, Sempronia."

  "This is not your household," said the woman bluntly.

  Metella went to her mother's side and took her hand. The older woman glared at them. The fourth woman, whose face I had not yet seen, kept her back turned. She reached down to touch the head of the little girl pressed against her. The child craned her neck and looked up at us with wide, innocent eyes.

  "Sempronia, please" said Clodia in a strained whisper.

  "Yes, Mother, let's try to be peaceable. Even with dear Clodia."

  The fourth woman finally turned. In her eyes I saw neither tears nor anger. There was weariness in her voice, but it was the weariness of exhaustion, not resignation. There was no emotion to be read in her voice or on her face, only a kind of steady determination. One might have expected to see a stronger reaction from the widow of the dead man. Perhaps she was simply numb with shock, but her gaze was keen and unwavering as she appraised us.

  Fulvia was not a great beauty, like Clodia, but her appearance was striking nonetheless. She was younger by at least ten years; I guessed her to be no more than thirty. As her little daughter clung to her, I saw where the child's curious, luminous brown eyes had come from; there was a sharpness in Fulvia's gaze that indicated a formidable intelligence. She lacked her mother's grim harshness, but one could see the seeds of it in the hard lines around her mouth, especially when she turned her gaze to Clodia.